Sound exposure of professional orchestral musicians during solitary practice.
Identifieur interne : 001123 ( Main/Exploration ); précédent : 001122; suivant : 001124Sound exposure of professional orchestral musicians during solitary practice.
Auteurs : Ian O'Brien [Australie] ; Tim Driscoll ; Bronwen AckermannSource :
- The Journal of the Acoustical Society of America [ 1520-8524 ] ; 2013.
Descripteurs français
- KwdFr :
- Acoustique (MeSH), Appréciation des risques (MeSH), Bruit au travail (effets indésirables), Bruit au travail (prévention et contrôle), Dispositifs de protection des oreilles (MeSH), Exposition professionnelle (MeSH), Facteurs de risque (MeSH), Facteurs temps (MeSH), Humains (MeSH), Maladies professionnelles (diagnostic), Maladies professionnelles (prévention et contrôle), Maladies professionnelles (étiologie), Musique (MeSH), Pression (MeSH), Santé au travail (MeSH), Son (physique) (MeSH), Surdité due au bruit (diagnostic), Surdité due au bruit (prévention et contrôle), Surdité due au bruit (étiologie).
- MESH :
- diagnostic : Maladies professionnelles, Surdité due au bruit.
- effets indésirables : Bruit au travail.
- prévention et contrôle : Bruit au travail, Maladies professionnelles, Surdité due au bruit.
- étiologie : Maladies professionnelles, Surdité due au bruit.
- Acoustique, Appréciation des risques, Dispositifs de protection des oreilles, Exposition professionnelle, Facteurs de risque, Facteurs temps, Humains, Musique, Pression, Santé au travail, Son (physique).
English descriptors
- KwdEn :
- Acoustics (MeSH), Ear Protective Devices (MeSH), Hearing Loss, Noise-Induced (diagnosis), Hearing Loss, Noise-Induced (etiology), Hearing Loss, Noise-Induced (prevention & control), Humans (MeSH), Music (MeSH), Noise, Occupational (adverse effects), Noise, Occupational (prevention & control), Occupational Diseases (diagnosis), Occupational Diseases (etiology), Occupational Diseases (prevention & control), Occupational Exposure (MeSH), Occupational Health (MeSH), Pressure (MeSH), Risk Assessment (MeSH), Risk Factors (MeSH), Sound (MeSH), Time Factors (MeSH).
- MESH :
- adverse effects : Noise, Occupational.
- diagnosis : Hearing Loss, Noise-Induced, Occupational Diseases.
- etiology : Hearing Loss, Noise-Induced, Occupational Diseases.
- prevention & control : Hearing Loss, Noise-Induced, Noise, Occupational, Occupational Diseases.
- Acoustics, Ear Protective Devices, Humans, Music, Occupational Exposure, Occupational Health, Pressure, Risk Assessment, Risk Factors, Sound, Time Factors.
Abstract
It is broadly acknowledged that professional orchestral musicians risk noise-induced hearing pathologies due to sound exposure in rehearsal and performance. While much has been published regarding orchestral sound levels, little is known of the sound exposure these musicians experience during solitary practice, despite the many hours they spend engaged in this activity. This study aimed to determine sound exposure during solitary practice of 35 professional orchestral musicians, representing players of most orchestral instruments. To allow cross-comparison, participants were assessed playing similar repertoire in a controlled environment, recording simultaneously at each ear to determine sound exposure levels. Sound levels were recorded between 60 and 107 dB L(Aeq), with peak levels between 101 and 130 dB L(C,peak). For average reported practice durations (2.1 h per day, five days a week) 53% would exceed accepted permissible daily noise exposure in solitary practice, in addition to sound exposure during orchestral rehearsals and performances. Significant inter-aural differences were noted in violin, viola, flute/piccolo, horn, trombone, and tuba. Only 40% used hearing protection at any time while practicing. These findings indicate orchestral musicians at risk of noise-induced hearing loss in ensemble face significant additional risks during solitary practice. Data presented will enable more effective and targeted management strategies for this population.
DOI: 10.1121/1.4820900
PubMed: 24116413
Affiliations:
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Driscoll</name></author><author><name sortKey="Ackermann, Bronwen" sort="Ackermann, Bronwen" uniqKey="Ackermann B" first="Bronwen" last="Ackermann">Bronwen Ackermann</name></author></titleStmt><publicationStmt><idno type="wicri:source">PubMed</idno><date when="2013">2013</date><idno type="RBID">pubmed:24116413</idno><idno type="pmid">24116413</idno><idno type="doi">10.1121/1.4820900</idno><idno type="wicri:Area/Main/Corpus">001107</idno><idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Corpus" wicri:corpus="PubMed">001107</idno><idno type="wicri:Area/Main/Curation">001107</idno><idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Curation">001107</idno><idno type="wicri:Area/Main/Exploration">001107</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en">Sound exposure of professional orchestral musicians during solitary practice.</title><author><name sortKey="O Brien, Ian" sort="O Brien, Ian" uniqKey="O Brien I" first="Ian" last="O'Brien">Ian O'Brien</name><affiliation wicri:level="4"><nlm:affiliation>Discipline of Biomedical Science, School of Medical Sciences, The University of Sydney, Lidcombe, New South Wales, 2141, Australia.</nlm:affiliation><country xml:lang="fr">Australie</country><wicri:regionArea>Discipline of Biomedical Science, School of Medical Sciences, The University of Sydney, Lidcombe, New South Wales, 2141</wicri:regionArea><orgName type="university">Université de Sydney</orgName><placeName><settlement type="city">Sydney</settlement><region type="état">Nouvelle-Galles du Sud</region></placeName></affiliation></author><author><name sortKey="Driscoll, Tim" sort="Driscoll, Tim" uniqKey="Driscoll T" first="Tim" last="Driscoll">Tim Driscoll</name></author><author><name sortKey="Ackermann, Bronwen" sort="Ackermann, Bronwen" uniqKey="Ackermann B" first="Bronwen" last="Ackermann">Bronwen Ackermann</name></author></analytic><series><title level="j">The Journal of the Acoustical Society of America</title><idno type="eISSN">1520-8524</idno><imprint><date when="2013" type="published">2013</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Acoustics (MeSH)</term><term>Ear Protective Devices (MeSH)</term><term>Hearing Loss, Noise-Induced (diagnosis)</term><term>Hearing Loss, Noise-Induced (etiology)</term><term>Hearing Loss, Noise-Induced (prevention & control)</term><term>Humans (MeSH)</term><term>Music (MeSH)</term><term>Noise, Occupational (adverse effects)</term><term>Noise, Occupational (prevention & control)</term><term>Occupational Diseases (diagnosis)</term><term>Occupational Diseases (etiology)</term><term>Occupational Diseases (prevention & control)</term><term>Occupational Exposure (MeSH)</term><term>Occupational Health (MeSH)</term><term>Pressure (MeSH)</term><term>Risk Assessment (MeSH)</term><term>Risk Factors (MeSH)</term><term>Sound (MeSH)</term><term>Time Factors (MeSH)</term></keywords><keywords scheme="KwdFr" xml:lang="fr"><term>Acoustique (MeSH)</term><term>Appréciation des risques (MeSH)</term><term>Bruit au travail (effets indésirables)</term><term>Bruit au travail (prévention et contrôle)</term><term>Dispositifs de protection des oreilles (MeSH)</term><term>Exposition professionnelle (MeSH)</term><term>Facteurs de risque (MeSH)</term><term>Facteurs temps (MeSH)</term><term>Humains (MeSH)</term><term>Maladies professionnelles (diagnostic)</term><term>Maladies professionnelles (prévention et contrôle)</term><term>Maladies professionnelles (étiologie)</term><term>Musique (MeSH)</term><term>Pression (MeSH)</term><term>Santé au travail (MeSH)</term><term>Son (physique) (MeSH)</term><term>Surdité due au bruit (diagnostic)</term><term>Surdité due au bruit (prévention et contrôle)</term><term>Surdité due au bruit (étiologie)</term></keywords><keywords scheme="MESH" qualifier="adverse effects" xml:lang="en"><term>Noise, Occupational</term></keywords><keywords scheme="MESH" qualifier="diagnosis" xml:lang="en"><term>Hearing Loss, Noise-Induced</term><term>Occupational Diseases</term></keywords><keywords scheme="MESH" qualifier="diagnostic" xml:lang="fr"><term>Maladies professionnelles</term><term>Surdité due au bruit</term></keywords><keywords scheme="MESH" qualifier="effets indésirables" xml:lang="fr"><term>Bruit au travail</term></keywords><keywords scheme="MESH" qualifier="etiology" xml:lang="en"><term>Hearing Loss, Noise-Induced</term><term>Occupational Diseases</term></keywords><keywords scheme="MESH" qualifier="prevention & control" xml:lang="en"><term>Hearing Loss, Noise-Induced</term><term>Noise, Occupational</term><term>Occupational Diseases</term></keywords><keywords scheme="MESH" qualifier="prévention et contrôle" xml:lang="fr"><term>Bruit au travail</term><term>Maladies professionnelles</term><term>Surdité due au bruit</term></keywords><keywords scheme="MESH" qualifier="étiologie" xml:lang="fr"><term>Maladies professionnelles</term><term>Surdité due au bruit</term></keywords><keywords scheme="MESH" xml:lang="en"><term>Acoustics</term><term>Ear Protective Devices</term><term>Humans</term><term>Music</term><term>Occupational Exposure</term><term>Occupational Health</term><term>Pressure</term><term>Risk Assessment</term><term>Risk Factors</term><term>Sound</term><term>Time Factors</term></keywords><keywords scheme="MESH" xml:lang="fr"><term>Acoustique</term><term>Appréciation des risques</term><term>Dispositifs de protection des oreilles</term><term>Exposition professionnelle</term><term>Facteurs de risque</term><term>Facteurs temps</term><term>Humains</term><term>Musique</term><term>Pression</term><term>Santé au travail</term><term>Son (physique)</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">It is broadly acknowledged that professional orchestral musicians risk noise-induced hearing pathologies due to sound exposure in rehearsal and performance. While much has been published regarding orchestral sound levels, little is known of the sound exposure these musicians experience during solitary practice, despite the many hours they spend engaged in this activity. This study aimed to determine sound exposure during solitary practice of 35 professional orchestral musicians, representing players of most orchestral instruments. To allow cross-comparison, participants were assessed playing similar repertoire in a controlled environment, recording simultaneously at each ear to determine sound exposure levels. Sound levels were recorded between 60 and 107 dB L(Aeq), with peak levels between 101 and 130 dB L(C,peak). For average reported practice durations (2.1 h per day, five days a week) 53% would exceed accepted permissible daily noise exposure in solitary practice, in addition to sound exposure during orchestral rehearsals and performances. Significant inter-aural differences were noted in violin, viola, flute/piccolo, horn, trombone, and tuba. Only 40% used hearing protection at any time while practicing. These findings indicate orchestral musicians at risk of noise-induced hearing loss in ensemble face significant additional risks during solitary practice. Data presented will enable more effective and targeted management strategies for this population.</div></front></TEI><pubmed><MedlineCitation Status="MEDLINE" Owner="NLM"><PMID Version="1">24116413</PMID><DateCompleted><Year>2014</Year><Month>05</Month><Day>30</Day></DateCompleted><DateRevised><Year>2013</Year><Month>10</Month><Day>14</Day></DateRevised><Article PubModel="Print"><Journal><ISSN IssnType="Electronic">1520-8524</ISSN><JournalIssue CitedMedium="Internet"><Volume>134</Volume><Issue>4</Issue><PubDate><Year>2013</Year><Month>Oct</Month></PubDate></JournalIssue><Title>The Journal of the Acoustical Society of America</Title><ISOAbbreviation>J Acoust Soc Am</ISOAbbreviation></Journal><ArticleTitle>Sound exposure of professional orchestral musicians during solitary practice.</ArticleTitle><Pagination><MedlinePgn>2748-54</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.1121/1.4820900</ELocationID><Abstract><AbstractText>It is broadly acknowledged that professional orchestral musicians risk noise-induced hearing pathologies due to sound exposure in rehearsal and performance. While much has been published regarding orchestral sound levels, little is known of the sound exposure these musicians experience during solitary practice, despite the many hours they spend engaged in this activity. This study aimed to determine sound exposure during solitary practice of 35 professional orchestral musicians, representing players of most orchestral instruments. To allow cross-comparison, participants were assessed playing similar repertoire in a controlled environment, recording simultaneously at each ear to determine sound exposure levels. Sound levels were recorded between 60 and 107 dB L(Aeq), with peak levels between 101 and 130 dB L(C,peak). For average reported practice durations (2.1 h per day, five days a week) 53% would exceed accepted permissible daily noise exposure in solitary practice, in addition to sound exposure during orchestral rehearsals and performances. Significant inter-aural differences were noted in violin, viola, flute/piccolo, horn, trombone, and tuba. Only 40% used hearing protection at any time while practicing. These findings indicate orchestral musicians at risk of noise-induced hearing loss in ensemble face significant additional risks during solitary practice. Data presented will enable more effective and targeted management strategies for this population.</AbstractText></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>O'Brien</LastName><ForeName>Ian</ForeName><Initials>I</Initials><AffiliationInfo><Affiliation>Discipline of Biomedical Science, School of Medical Sciences, The University of Sydney, Lidcombe, New South Wales, 2141, Australia.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Driscoll</LastName><ForeName>Tim</ForeName><Initials>T</Initials></Author><Author ValidYN="Y"><LastName>Ackermann</LastName><ForeName>Bronwen</ForeName><Initials>B</Initials></Author></AuthorList><Language>eng</Language><PublicationTypeList><PublicationType UI="D003160">Comparative Study</PublicationType><PublicationType UI="D016428">Journal Article</PublicationType><PublicationType UI="D013485">Research Support, Non-U.S. Gov't</PublicationType></PublicationTypeList></Article><MedlineJournalInfo><Country>United States</Country><MedlineTA>J Acoust Soc Am</MedlineTA><NlmUniqueID>7503051</NlmUniqueID><ISSNLinking>0001-4966</ISSNLinking></MedlineJournalInfo><CitationSubset>IM</CitationSubset><MeshHeadingList><MeshHeading><DescriptorName UI="D000162" MajorTopicYN="N">Acoustics</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D004430" MajorTopicYN="N">Ear Protective Devices</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D006317" MajorTopicYN="N">Hearing Loss, Noise-Induced</DescriptorName><QualifierName UI="Q000175" MajorTopicYN="N">diagnosis</QualifierName><QualifierName UI="Q000209" MajorTopicYN="N">etiology</QualifierName><QualifierName UI="Q000517" MajorTopicYN="N">prevention & control</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D006801" MajorTopicYN="N">Humans</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D009146" MajorTopicYN="Y">Music</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D009623" MajorTopicYN="Y">Noise, Occupational</DescriptorName><QualifierName UI="Q000009" MajorTopicYN="N">adverse effects</QualifierName><QualifierName UI="Q000517" MajorTopicYN="N">prevention & control</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D009784" MajorTopicYN="N">Occupational Diseases</DescriptorName><QualifierName UI="Q000175" MajorTopicYN="N">diagnosis</QualifierName><QualifierName UI="Q000209" MajorTopicYN="N">etiology</QualifierName><QualifierName UI="Q000517" MajorTopicYN="N">prevention & control</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D016273" MajorTopicYN="Y">Occupational Exposure</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D016272" MajorTopicYN="Y">Occupational Health</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D011312" MajorTopicYN="N">Pressure</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D018570" MajorTopicYN="N">Risk Assessment</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D012307" MajorTopicYN="N">Risk Factors</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D013016" MajorTopicYN="Y">Sound</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D013997" MajorTopicYN="N">Time Factors</DescriptorName></MeshHeading></MeshHeadingList></MedlineCitation><PubmedData><History><PubMedPubDate PubStatus="entrez"><Year>2013</Year><Month>10</Month><Day>15</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="pubmed"><Year>2013</Year><Month>10</Month><Day>15</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="medline"><Year>2014</Year><Month>5</Month><Day>31</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate></History><PublicationStatus>ppublish</PublicationStatus><ArticleIdList><ArticleId IdType="pubmed">24116413</ArticleId><ArticleId IdType="doi">10.1121/1.4820900</ArticleId></ArticleIdList></PubmedData></pubmed><affiliations><list><country><li>Australie</li></country><region><li>Nouvelle-Galles du Sud</li></region><settlement><li>Sydney</li></settlement><orgName><li>Université de Sydney</li></orgName></list><tree><noCountry><name sortKey="Ackermann, Bronwen" sort="Ackermann, Bronwen" uniqKey="Ackermann B" first="Bronwen" last="Ackermann">Bronwen Ackermann</name><name sortKey="Driscoll, Tim" sort="Driscoll, Tim" uniqKey="Driscoll T" first="Tim" last="Driscoll">Tim Driscoll</name></noCountry><country name="Australie"><region name="Nouvelle-Galles du Sud"><name sortKey="O Brien, Ian" sort="O Brien, Ian" uniqKey="O Brien I" first="Ian" last="O'Brien">Ian O'Brien</name></region></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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